Tuesday, January 13, 2009

OhmForce QuadFrohmage

OhmForce QuadFrohmage PRO VST RTAS 1.31 | 5,7 MB

It is said that when a master sculptor stands in front of a new block of marble, he doesn't see a lump of stone. Instead he takes his chisel and releases the shape that is trapped within. In light of this, The Quad Frohmage is really the mother of all sonic chisels, and the average sine wave is a vast palate of tones and colours just waiting to break free.

With four channels and eight types of filter at your disposal, you won't need to be a Michelangelo to start drawing fantastic textures out of even the most mundane of sources. Rearrange channels into any combination, should you wish to knock the rough edges of one with a filter on another, or use the link switch to bind the cutoff knobs into an adjustable ratio, for unified effects across the frequency range. And, of course, for polishing up your new creations, each channel is equipped with distortion, pan, delay and volume controls.

The Quad also marks an event horizon in the evolution of the renowned Ohmforce modulation system, featuring not only the standard LFO array, but also an envelope follower and an ADSR, to which, naturally, all of the above may be assigned. These new additions can be triggered not just with audio, but also by midi velocity and pitch, enabling you to play the automation with a keyboard as if it were an instrument. In fact, the range of modulation options is so mind bogglingly large, it probably isn't healthy to even try and think about them all. Better just get on with the serious business of making the world of audio a better and richer place, and giving Rodin a run for his money while you're at it.

Features:

* A Four filters unit that you can assemble in every possible way.
* 30 filter modes for each of those filters.
* Advanced LFO module with 10 LFO types, Sample and Hold and smoothness control.
* Advanced Envelope Follower module with Attack, Hold and Release settings.
* Advanced XADSR module with and extra Sustain time parameter and an incredibly handy Sensitivity setting.
* Apply those modulators to any parameter you want - even the three at the same time, using a factor from -1 to +1.
* Easy BPM synchronization for all the modulation parameters - not only LFO but actually any parameter related to time (like ... say ... attack ... decay ... do you get it ?).
* Handful Copy and Paste feature to duplicate modulation parameters.
* Advanced GUI full of live-dedicated features, such as flying knobs, preset morphing, and grouped parameters...
* Advanced MIDI support with autobind feature and fast configuration.
* Modulation can even been driven by a MIDI keyboard, with either velocity or tone. In this last case, you have the possibility to adjust the frequency of the filter to the corresponding note.

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